I mean, he is mad:
Punk-founded doubt and fear has directly spawned the cowardly culture of modern irony. Fear of being called out or targeted for enjoying art that doesn’t meet the stringent criteria of punkness—a criteria too ineffable to codify, but pernicious and deadly to underestimate—has given us no outlet for the vagaries of our taste but to claim that we enjoy the things we love only out of mocking disdain for the awfulness we pre-emptively ascribe to them. The very act of loving something ironically is an admission that punk-rock groupthink has denied us our own will. Scorn has become the ouroboros, the snake eating its own tail, distancing us from joy to the point that our souls rebel. Punk has encouraged us to hate innocence until the only entertainments we can appreciate are the fake epiphanies of celebrity weight-loss porn and cynical folk-revival banjo music that borders on thoughtcrime. …
To the degree that punk has a governing philosophy, it’s a fundamentally negative one. Punk only tells us what it hates. It has never stood for anything; it stands against things. It is not an intentional indictment; it is a reactionary spasm.
I like when John Roderick is mad.